Roving Eye Photography

Tuesday, April 20, 2010

The Hurt Locker - Best movie???

I watched about an hour of this movie and ended up with a headache. What on earth were all the critics going on about this movie? Someone needs to explain to me why this movie was voted the best movie of 2009. The only thing that made an impression on me was how realistic it looked. It felt like Iraq (though I've never been there or seen footage of anything there). Other than that, I thought it sucked big time.
What was with the shaking camera? I had to close my eyes tight to prevent the dizzyness from taking over. And the plot of the movie? There was none. What was I supposed to get from this movie? Entertainment value - zero. Take away message - ??? Before the movie starts, a quote "War is a drug"appears on the screen. Is this supposed to be profound? Playing with danger can be addictive - yes. Was this the point of the movie?

Sunday, April 18, 2010

The end of my vacation

So it's over. And what a way to end it. Today, I went to a concert by Vijay Siva. It is the best concert I have heard in the Bay Area so far. Accompanied by Sriramkumar and JV, he started with the Hamsadwani varanam Pagavari followed by Thulasidalamulache in Mayamalavagowlai with a ragam and brisk swarams. Next was a lovely raga exposition in Sahana in which he sang the Navavarna keertanai. I am currently learning these gems of Dikshithar and it amazes me how rich these songs are (I can't think of any other adjective). Vijay's rendition gave me oose bumps. Next was Shyama Sastry's Sankari Shankuru in Saveri. Good pace and wonderfully done (despite Saveri's proximity to Mayamalavagowlai, I still enjoyed it). Brovabaramma in Bahudaari followed Saveri. Intended as a filler, it was fabulous with brisk swarams. It was almost Madurai Maniesque sarva laghu. Really beautiful. Then came Inta Soukhyamu in Kaapi. Again I had goose bumps. It was laid back and I was filled with a sense of peace. It reminded me of KVN's rendition in his last concert. RKS's rendition of the ragam was slower and very well done. On the heels of Kaapi came a wonderful RTP in Poorvikalyani - Paramama paavana na raama in Mishra nadai triputa talam. The eduppu was half a beat after the last beat. Vijay eased into tishra nadai beautifully during the swaram rendition. This was followed by a bunch of "thikkadas". Fantastic. Every ragam oozed with its essence - his music is just so clear and peaceful. I almost feel that the quality of a person's music is a reflection of that person's personality. It did seem that way. I am totally sated :)

I'm ready to take on tomorrow. The break has done me good. Apparently I also look much better now going by the number of compliments I have got in the past few weeks. That certainly feels good.

Thursday, April 15, 2010

Mixed feelings

A lot has happened over the past few days. We went on a trip to our first hometown in the US - Columbus Ohio. A redeye flight in with an infant and a five year old - I thought it would be hell. But both of them were fantastic. I feel lucky to have kids like them. And boy, was it a vacation! Meeting friends and professors from grad school after five years was priceless. I basked in the love of my wonderful friends, ate yummy food, had my favorite ice cream and pizza, and watched my kids have the time of their lives. The little devil would sleep in one house and wake up in another. She must have been totally disoriented, but she was such a gem throughout. Chinnu had such a good time that she wants to stay in Columbus for five years. She became such good friends with the twins of our hosts that one of them cried inconsolably for a long time after we left.

Back home, the little devil started day care in preparation for my starting work after a break of 3 months. I was worried about how that would go given her stranger anxiety issue. She spent two hours yesterday and was not happy. Today it was 3, and she was smiling and playing when I went to pick her up. I was overjoyed and relieved. After that, we didn't hear a peep out of her the rest of the day at home. She was happy and kept herself engaged - no crying or wanting to be picked up. I was consumed with guilt, pity, and sadness. It's like she is no longer the little devil but a little angel. This is the first time she has been away from her immediate family and my heart is breaking.

Despite all the crap that happened at work, I totally enjoyed my three months of bonding with her. She has brought me such joy and the time off has cleared my head. I am actually happy - that's saying a lot. I am proud of my girls and love them so much.

Today we celebrated Vishu, the Tamil/Malyalam new year. I am usually not one to uphold Indian festivities if it's too much work. Given that we got back in the wee hours of yesterday morning and not having any groceries, Vishu would have been just another day. But Chinnu's love for festivities and celebrations motivated me to celebrate the new year with fruits and vegetables displayed in the traditional "kani". Hubby likes to say that it's the little things in life that matter most - today I feel that's so true.


Tuesday, April 06, 2010

Musings on music

Art and craft have always been an integral part of my life. When I was young, I grew up with music. Like many young girls growing up in south India, I was enrolled in Carnatic music lessons since I was … oh it was so long ago, I don’t remember how old I was. Appreciation of Carnatic music is kind of like appreciation of beer – it is an acquired taste. It is typically the music of the elderly, the antithesis of popular music; some might even consider it to be not melodious! Given all these obstacles to enjoying this art form, it is no wonder that many kids were far from enthusiastic about learning it and usually succeeded in nagging their parents into pulling them out. However, I actually liked it. Before you think that I am a female version of Benjamin Button, let me assure you that I neither looked nor acted too old for my age. It is now, when I do not have much time (or am too exhausted to make time) to practice and enjoy music that I most appreciate the opportunity I had to pursue this art form as a kid.

For me, making and reacting to music is something that happens on a subconscious level. It’s something I do instinctively rather than consciously. I grew up in a city where music blared in public places traveled far and wide, across air suffused with fumes from automobiles. There were the classic M. S. Subbulakshmi and S. P. Balasubramanian and Ghantasaala devotional songs that were hugely popular in temples. Since there was a sizeable Muslim population in my hometown, strains of the Muslim prayer songs could also be heard in the mornings and evenings. Contrary to finding this invasion of my auditory senses annoying, I actually found them soothing. Then there was K. J. Yesudas. My parents were die hard fans of his Malayalam devotional songs and his voice filled our house everyday. I would learn these songs and sing them at the local temple to great appreciation.
When I was very young, I would listen to Hindi film songs every afternoon on the radio. Now this was back in the days when Hindi film songs sounded like they were in Hindi and not like some kind of whining/whimpering/metallic/rapping/headache inducing mixture of random sounds. (Now you know what kind of music I like). Every night my dad would listen to a Carnatic music concert on the radio - this was when there was no TV or TV watching was dictated by parents. So I assimilated music and it became an integral part of my day.

Fast forwarding to today’s world when my life most times is like a finely oiled machine, listening to music has become a luxury. Why you might ask, especially in this day and age when music is accessible when ever and wherever you want on gadgets that fit in your jeans pocket. The reason is because of the state of mind. I find that most days I am like a pressure cooker, running around constantly, so much so that my mind is not relaxed enough to be receptive to music. I can listen to music without letting it touch me. But for me to absorb it and respond to it is getting harder and harder. What do I mean by responding to music? There was a concert that I went to of a Hindustani musician named Madhup Mudgal. He sang raag Surya. Though this concert was over fifteen years ago, I still remember the song and the wonderful feeling I had while listening to it. I wanted to learn Hindustani music after listening to him.
The time when I was driving to the Cochin airport after a very busy visit to India and was feeling sad (don’t remember why). The cab driver had some devotional music on and I remember the wonderful feeling of peace I was filled with.
The time when singing a song I felt like I had gone into a trance and had tears in my eyes when I was done singing.

Chinnu has intense reactions to music as well. I am learning a dance to the Tamil film song Mukunda Mukunda and I recently brought the CD home. She LOVES this song. I don’t know what she feels – she told me one day “I wish I could hear this song everyday forever and could live with the lady who sang it”. Then realizing that she lives with her parents, she said “Amma I wish you would learn this song and sing it for me every day”. Then realizing that it would not be the same if I sang it – “Amma it’s OK if you don’t learn it and sing it.” I can just imagine how it touches her tender young heart and I love that she feels so intensely when she listens to music. In this day and age when our lives are so dictated by schedules, technology, busy work and the times during which our minds are at rest and at peace is so few, our reactions to music (and any art in general) is one thing that remains individualistic and untouched by the clutter of daily life.